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		<title>Válogatott irodalom Latin-Amerika zenéjéhez - Laptörténet</title>
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		<updated>2026-05-18T01:18:24Z</updated>
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	<entry>
		<id>http://nepzenetar.fszek.hu/index.php?title=V%C3%A1logatott_irodalom_Latin-Amerika_zen%C3%A9j%C3%A9hez&amp;diff=5022&amp;oldid=prev</id>
		<title>Bandolo, 2011. október 19., 08:22-n</title>
		<link rel="alternate" type="text/html" href="http://nepzenetar.fszek.hu/index.php?title=V%C3%A1logatott_irodalom_Latin-Amerika_zen%C3%A9j%C3%A9hez&amp;diff=5022&amp;oldid=prev"/>
				<updated>2011-10-19T08:22:48Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
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			&lt;tr style='vertical-align: top;'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;←Régebbi változat&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;A lap 2011. október 19., 08:22-kori változata&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;94. sor:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;94. sor:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;15. Seeger, A.: ‘What Can We Learn When They Sing? Vocal Genres of the Suya Indians of Central Brazil’ In : EthM, xxiii. 1979. pg. 373–94&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;15. Seeger, A.: ‘What Can We Learn When They Sing? Vocal Genres of the Suya Indians of Central Brazil’ In : EthM, xxiii. 1979. pg. 373–94&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]&lt;/del&gt;Kategória:Latin-Amerika]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Kategória:Latin-Amerika&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]&lt;/ins&gt;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key fszek_nepzenetar-nepzenetar_:diff:version:1.11a:oldid:5021:newid:5022 --&gt;
&lt;/table&gt;</summary>
		<author><name>Bandolo</name></author>	</entry>

	<entry>
		<id>http://nepzenetar.fszek.hu/index.php?title=V%C3%A1logatott_irodalom_Latin-Amerika_zen%C3%A9j%C3%A9hez&amp;diff=5021&amp;oldid=prev</id>
		<title>Bandolo, 2011. október 19., 08:22-n</title>
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				<updated>2011-10-19T08:22:29Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
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			&lt;tr style='vertical-align: top;'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;←Régebbi változat&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;A lap 2011. október 19., 08:22-kori változata&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;93. sor:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;93. sor:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;15. Seeger, A.: ‘What Can We Learn When They Sing? Vocal Genres of the Suya Indians of Central Brazil’ In : EthM, xxiii. 1979. pg. 373–94&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;15. Seeger, A.: ‘What Can We Learn When They Sing? Vocal Genres of the Suya Indians of Central Brazil’ In : EthM, xxiii. 1979. pg. 373–94&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[]Kategória:Latin-Amerika]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bandolo</name></author>	</entry>

	<entry>
		<id>http://nepzenetar.fszek.hu/index.php?title=V%C3%A1logatott_irodalom_Latin-Amerika_zen%C3%A9j%C3%A9hez&amp;diff=5020&amp;oldid=prev</id>
		<title>Bandolo, 2011. október 19., 08:21-n</title>
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				<updated>2011-10-19T08:21:56Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
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			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;←Régebbi változat&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;A lap 2011. október 19., 08:21-kori változata&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;6. sor:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;6. sor:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;3. Castillo, Jesús : La música maya-quiché. Guatemala. 1977. Editorial Piedra Santa.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;3. Castillo, Jesús : La música maya-quiché. Guatemala. 1977. Editorial Piedra Santa.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http://catalogue.bl.uk/F/VX4QAGX189DIQGLQE5JS5X6TYSLSQRMMXVBA4J5QDJNKFQFA65-04649?func=full-set-set&amp;amp;set_number=034452&amp;amp;set_entry=000001&amp;amp;format=999&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;4. Densmore, Frances : The American Indians and their music. New York. 1926. Woman’s Press.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;4. Densmore, Frances : The American Indians and their music. New York. 1926. Woman’s Press.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-09451?func=full-set-set&amp;amp;set_number=052208&amp;amp;set_entry=000004&amp;amp;format=999&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;5. Estrada, J., ed.: La música de Mexico, i: Período prehispánico (ca. 1500 a.C. a 1521 d.C.). Mexico City. 1984.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;5. Estrada, J., ed.: La música de Mexico, i: Período prehispánico (ca. 1500 a.C. a 1521 d.C.). Mexico City. 1984.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;6. Garay, Narciso E. : Tradiciones y cantares de Panama: Ensayo folklórico. Brussels. 1930. Presses de l’Expansion Belge&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;6. Garay, Narciso E. : Tradiciones y cantares de Panama: Ensayo folklórico. Brussels. 1930. Presses de l’Expansion Belge&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http://catalogue.bl.uk/F/VX4QAGX189DIQGLQE5JS5X6TYSLSQRMMXVBA4J5QDJNKFQFA65-10861?func=full-set-set&amp;amp;set_number=034836&amp;amp;set_entry=000001&amp;amp;format=999&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;7. Izikowitz, Karl Gustav : Musical and Other Sound Instruments of the South American Indians. Wakefield. 1970. S. R. Publishers.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;7. Izikowitz, Karl Gustav : Musical and Other Sound Instruments of the South American Indians. Wakefield. 1970. S. R. Publishers.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-63741?func=full-set-set&amp;amp;set_number=057053&amp;amp;set_entry=000001&amp;amp;format=999&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;8. Nyberg, J. L.: An Examination of Vessel Flutes from Pre-Hispanic Cultures of Ecuador.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;8. Nyberg, J. L.: An Examination of Vessel Flutes from Pre-Hispanic Cultures of Ecuador.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;24. sor:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;23. sor:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;9. Olsen, Dale Alan : Music of the Warao of Venezuela: Song People of the Rainforest.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;9. Olsen, Dale Alan : Music of the Warao of Venezuela: Song People of the Rainforest.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Gainesville, Florida. 1996. University Press of. Florida.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Gainesville, Florida. 1996. University Press of. Florida.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-55412?func=full-set-set&amp;amp;set_number=059818&amp;amp;set_entry=000001&amp;amp;format=999&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;10. Otter, Elizabeth den : Music and dance of Indians and Mestizos in an Andean valley of Peru. Delft. 1985.Eburon.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;10. Otter, Elizabeth den : Music and dance of Indians and Mestizos in an Andean valley of Peru. Delft. 1985.Eburon.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-11335?func=full-set-set&amp;amp;set_number=060510&amp;amp;set_entry=000002&amp;amp;format=999&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;11. Quesada, A. Prado : Apuntes sintéticos sobre la historia y producción musical de Costa Rica. San José, Costa Ria. 1941.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;11. Quesada, A. Prado : Apuntes sintéticos sobre la historia y producción musical de Costa Rica. San José, Costa Ria. 1941.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;34. sor:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;33. sor:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;12. Seeger, Anthony : Why Suyá sing: a musical anthropology of an Amazonian people.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;12. Seeger, Anthony : Why Suyá sing: a musical anthropology of an Amazonian people.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Cambridge. 1987. Cambridge University Press&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Cambridge. 1987. Cambridge University Press&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-59775?func=full-set-set&amp;amp;set_number=061983&amp;amp;set_entry=000001&amp;amp;format=999&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Sifuentes, J. E. Silva : Instrumentos musicales pre-colombinos. Lima. 1978.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Sifuentes, J. E. Silva : Instrumentos musicales pre-colombinos. Lima. 1978.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;13. Stevenson, Robert Murrell : Music in Aztec &amp;amp; Inca Territory. Berkeley. 1968. Cambridge University Press.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;13. Stevenson, Robert Murrell : Music in Aztec &amp;amp; Inca Territory. Berkeley. 1968. Cambridge University Press.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-20262?func=full-set-set&amp;amp;set_number=062620&amp;amp;set_entry=000001&amp;amp;format=999&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;14. Turino, Thomas : Moving away from silence: music of the Peruvian Altiplano and the experience of urban migration. Chicago. University of Chicago Press. 1993.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;14. Turino, Thomas : Moving away from silence: music of the Peruvian Altiplano and the experience of urban migration. Chicago. University of Chicago Press. 1993.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-21893?func=full-set-set&amp;amp;set_number=063023&amp;amp;set_entry=000001&amp;amp;format=999&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;15. Vega, Carlos : Los instrumentos musicales aborigenes y criollos de la Argentina. Buenos Aires. 1946.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;15. Vega, Carlos : Los instrumentos musicales aborigenes y criollos de la Argentina. Buenos Aires. 1946.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;http://catalogue.bl.uk/F/VX4QAGX189DIQGLQE5JS5X6TYSLSQRMMXVBA4J5QDJNKFQFA65-09775?func=full-set-set&amp;amp;set_number=021840&amp;amp;set_entry=000005&amp;amp;format=999&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;*Kongresszusi kiadványok&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;*Kongresszusi kiadványok&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bandolo</name></author>	</entry>

	<entry>
		<id>http://nepzenetar.fszek.hu/index.php?title=V%C3%A1logatott_irodalom_Latin-Amerika_zen%C3%A9j%C3%A9hez&amp;diff=5019&amp;oldid=prev</id>
		<title>Bandolo: Új oldal, tartalma: „*Könyvek:  1. Anleu, M. A. : Guzman: Danzas de Guatemala, Folklore de Guatemala. Guatemala City. 1965.  2. Arce, J. Pérez de : Música en la piedra: música prehispánic…”</title>
		<link rel="alternate" type="text/html" href="http://nepzenetar.fszek.hu/index.php?title=V%C3%A1logatott_irodalom_Latin-Amerika_zen%C3%A9j%C3%A9hez&amp;diff=5019&amp;oldid=prev"/>
				<updated>2011-10-19T08:20:35Z</updated>
		
		<summary type="html">&lt;p&gt;Új oldal, tartalma: „*Könyvek:  1. Anleu, M. A. : Guzman: Danzas de Guatemala, Folklore de Guatemala. Guatemala City. 1965.  2. Arce, J. Pérez de : Música en la piedra: música prehispánic…”&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Új lap&lt;/b&gt;&lt;/p&gt;&lt;div&gt;*Könyvek:&lt;br /&gt;
&lt;br /&gt;
1. Anleu, M. A. : Guzman: Danzas de Guatemala, Folklore de Guatemala. Guatemala City. 1965.&lt;br /&gt;
&lt;br /&gt;
2. Arce, J. Pérez de : Música en la piedra: música prehispánica y sus ecos en Chile actual. Santiago. 1995.&lt;br /&gt;
&lt;br /&gt;
3. Castillo, Jesús : La música maya-quiché. Guatemala. 1977. Editorial Piedra Santa.&lt;br /&gt;
http://catalogue.bl.uk/F/VX4QAGX189DIQGLQE5JS5X6TYSLSQRMMXVBA4J5QDJNKFQFA65-04649?func=full-set-set&amp;amp;set_number=034452&amp;amp;set_entry=000001&amp;amp;format=999&lt;br /&gt;
&lt;br /&gt;
4. Densmore, Frances : The American Indians and their music. New York. 1926. Woman’s Press.&lt;br /&gt;
http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-09451?func=full-set-set&amp;amp;set_number=052208&amp;amp;set_entry=000004&amp;amp;format=999&lt;br /&gt;
&lt;br /&gt;
5. Estrada, J., ed.: La música de Mexico, i: Período prehispánico (ca. 1500 a.C. a 1521 d.C.). Mexico City. 1984.&lt;br /&gt;
&lt;br /&gt;
6. Garay, Narciso E. : Tradiciones y cantares de Panama: Ensayo folklórico. Brussels. 1930. Presses de l’Expansion Belge.&lt;br /&gt;
http://catalogue.bl.uk/F/VX4QAGX189DIQGLQE5JS5X6TYSLSQRMMXVBA4J5QDJNKFQFA65-10861?func=full-set-set&amp;amp;set_number=034836&amp;amp;set_entry=000001&amp;amp;format=999&lt;br /&gt;
&lt;br /&gt;
7. Izikowitz, Karl Gustav : Musical and Other Sound Instruments of the South American Indians. Wakefield. 1970. S. R. Publishers.&lt;br /&gt;
http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-63741?func=full-set-set&amp;amp;set_number=057053&amp;amp;set_entry=000001&amp;amp;format=999&lt;br /&gt;
&lt;br /&gt;
8. Nyberg, J. L.: An Examination of Vessel Flutes from Pre-Hispanic Cultures of Ecuador.&lt;br /&gt;
diss. U. of Minnesota. 1974.&lt;br /&gt;
&lt;br /&gt;
9. Olsen, Dale Alan : Music of the Warao of Venezuela: Song People of the Rainforest.&lt;br /&gt;
Gainesville, Florida. 1996. University Press of. Florida.&lt;br /&gt;
http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-55412?func=full-set-set&amp;amp;set_number=059818&amp;amp;set_entry=000001&amp;amp;format=999&lt;br /&gt;
&lt;br /&gt;
10. Otter, Elizabeth den : Music and dance of Indians and Mestizos in an Andean valley of Peru. Delft. 1985.Eburon.&lt;br /&gt;
http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-11335?func=full-set-set&amp;amp;set_number=060510&amp;amp;set_entry=000002&amp;amp;format=999&lt;br /&gt;
&lt;br /&gt;
11. Quesada, A. Prado : Apuntes sintéticos sobre la historia y producción musical de Costa Rica. San José, Costa Ria. 1941.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
12. Seeger, Anthony : Why Suyá sing: a musical anthropology of an Amazonian people.&lt;br /&gt;
Cambridge. 1987. Cambridge University Press&lt;br /&gt;
http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-59775?func=full-set-set&amp;amp;set_number=061983&amp;amp;set_entry=000001&amp;amp;format=999&lt;br /&gt;
Sifuentes, J. E. Silva : Instrumentos musicales pre-colombinos. Lima. 1978.&lt;br /&gt;
&lt;br /&gt;
13. Stevenson, Robert Murrell : Music in Aztec &amp;amp; Inca Territory. Berkeley. 1968. Cambridge University Press.&lt;br /&gt;
http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-20262?func=full-set-set&amp;amp;set_number=062620&amp;amp;set_entry=000001&amp;amp;format=999&lt;br /&gt;
&lt;br /&gt;
14. Turino, Thomas : Moving away from silence: music of the Peruvian Altiplano and the experience of urban migration. Chicago. University of Chicago Press. 1993.&lt;br /&gt;
http://catalogue.bl.uk/F/JXBC87NXEMQU528CY2IGC5EG1NRL4S2X5FCXM3MSIMVUY2P68A-21893?func=full-set-set&amp;amp;set_number=063023&amp;amp;set_entry=000001&amp;amp;format=999&lt;br /&gt;
&lt;br /&gt;
15. Vega, Carlos : Los instrumentos musicales aborigenes y criollos de la Argentina. Buenos Aires. 1946.&lt;br /&gt;
http://catalogue.bl.uk/F/VX4QAGX189DIQGLQE5JS5X6TYSLSQRMMXVBA4J5QDJNKFQFA65-09775?func=full-set-set&amp;amp;set_number=021840&amp;amp;set_entry=000005&amp;amp;format=999&lt;br /&gt;
&lt;br /&gt;
*Kongresszusi kiadványok&lt;br /&gt;
&lt;br /&gt;
1. Vela, L. Paret Limardo de: ‘Folklore musical de Guatemala’.&lt;br /&gt;
In : Congreso internacional de folklore. Buenos Aires. 1960, no. 176 &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*Időszaki kiadványok:&lt;br /&gt;
&lt;br /&gt;
1. Aretz I. : ‘Músicas pentatónicas en Sudaméŕica’.&lt;br /&gt;
In : Archivos venezolanos de folklore, i/2. 1952., 283. p.&lt;br /&gt;
&lt;br /&gt;
2. Baltasar de Matallana, F. : ‘La música indigena taurepan’.&lt;br /&gt;
In: Boletin Latino-americano de música, iv. 1938. 649. p. &lt;br /&gt;
&lt;br /&gt;
3. Baumann, M. P. : ‘Music of the Indios in Bolivia's Andean Highlands (Survey)’.&lt;br /&gt;
In : World of Music, xxiv.2. 1982. 80–96. p.&lt;br /&gt;
&lt;br /&gt;
4. Bose, F. : ‘Die Musik der Chibcha und ihrer heutigen Nachkommen’.&lt;br /&gt;
In : International Archives of Ethnography, xlviii. 1958. 149–98. p.&lt;br /&gt;
&lt;br /&gt;
5. Fairley, J. : ‘“The Blind Leading the Blind”: Changing Perceptions of Traditional Music: the Case of the Peruvian Ayllu Sulca’. In : Music in the Dialogue of Cultures. Berlin. 1988,  272–89. p. &lt;br /&gt;
&lt;br /&gt;
6. Grebe, M. E. : ‘Relaciones entre música y cultura: el kultrún y su simbolismo’.&lt;br /&gt;
In : Revista INIDEF, iv. 1970–80.  7–25. p.&lt;br /&gt;
&lt;br /&gt;
7. Halmos, I. : ‘Melody and Form in the Music of the Nambicuara Indians, Mato Grosso, Brazil.&lt;br /&gt;
In: SM, vi. 1964. 317–56. p.&lt;br /&gt;
&lt;br /&gt;
8. Halmos, I. : ‘Das Verhältnis von Instrument, Stimmung und Tonart in Langsflöten-Melodien der Nambikuara-Indianer’. In : Abhandlungen und Berichte des Staatlichen Museums für Völkerkunde Dresden. xxiv 1965. 49. p.&lt;br /&gt;
&lt;br /&gt;
9. Hill, J. : ‘Kamayurá Flute Music: a Study of Music as Meta-Communication’.&lt;br /&gt;
In : EthM, xxiii. 1979. 417–32. p.&lt;br /&gt;
&lt;br /&gt;
10. Hornbostel, E. M. von : ‘La música de los Makuschi Taulipang y Yekuana’.&lt;br /&gt;
In : Archivos venezolanos de folklore. iii/4. 1955–6. 137. p.&lt;br /&gt;
&lt;br /&gt;
11. Jones, P. K. : ‘Una breve descripción de la cutura musical Chirripo’.&lt;br /&gt;
In : América indigena. xxxiv/2. 1974.  427. p.&lt;br /&gt;
&lt;br /&gt;
12. Rivera, L.P. Ramón y : ‘Musica indigena de Venezuela’.&lt;br /&gt;
In : Boletin del Instituto de folklore, iii. 1960. pg. 333&lt;br /&gt;
&lt;br /&gt;
13. Rivera, L.F. Ramón y : ‘Formaciones escalśticas en la etnomúsica latinoamericana’.&lt;br /&gt;
In : YIFMC, i. 1969. pg. 200&lt;br /&gt;
&lt;br /&gt;
14. Schneider, M. : ‘Contribucion a la música indigena de Matto Grosso, Brasil’.&lt;br /&gt;
In : AnM, vii. 1952. pg. 159&lt;br /&gt;
&lt;br /&gt;
15. Seeger, A.: ‘What Can We Learn When They Sing? Vocal Genres of the Suya Indians of Central Brazil’ In : EthM, xxiii. 1979. pg. 373–94&lt;/div&gt;</summary>
		<author><name>Bandolo</name></author>	</entry>

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