Difference between revisions of "Válogatott irodalom Peru zenéjéhez"

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1. sor: 1. sor:
1. Harcourt, Raoul d’ and Marguerite : Musique des Incas et ses survivances. Lima. 1990. Occidental Petroleum Corp. of Peru.
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, I aoglpoise, but, in my opinion, you are mistaken. Let's discuss it. This phrase is simply matchless  , it is pleasant to me))) You will change nothing. In it something is. I will know, many thanks for an explanation.
 
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2. Holzmann, Rodolfo : Panorama de la música tradicional del Perú. Lima. 1966. Casa Mozart.
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3. Llorens, J. A. : Música popular en Lima: criollos y andinos. Lima. 1983.
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4. Montoya, Rodrigo, Luis and Edwin : La Sangre de los cerros: antología de la poesia quechua que se canta en el Perú. Lima. 1987. Centro Peruano de Estudios Sociales.
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5. Muñoz, J. G. Carpio : Arequipa: música y pueblo. Arequipa. 1984.
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Olsen, D.A. : ‘Implications of Music Technologies in the Pre-Columbian Andes’.
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In : Musical Repercussions of 1492: Encounters in Text and Performance, ed. Robertson, Carol E. Washington. 1992. Smithsonian Institution Press. pg. 65–88
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6. Otter, Elisabeth den : Music and dance of Indians and Mestizos in an Andean valley of Peru. Delft. 1985. Eburon.
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7. Pagaza Galdo, C. : ‘El yaraví’, In : Folklore americano, nos.8–9. 1960–61). pg. 75–141
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8. Pineda, J. R. : ‘El wayno del Cuzco’ In : Folklore americano, nos.6–7. 1958–9. pg. 129–245
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9. Vásquez Rodríguez, Chalena and Figueroa, Abilio Vergara : Chayraq! Carnival ayacuchano. Lima. 1988. Centro de Desarrollo Agropecuario.
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10. Romero, R. : ‘Musical Change and Cultural Resistance in the Central Andes of Peru’
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In : LAMR, xi.1. 1990. pg. 1–35
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11. Romero, R. : Música, danzas y mascaras en los Andes. Lima. 1993.
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12. Schechter, J. : ‘The Inca Cantar Histórico: a Lexico-Historical Elaboration on Two Cultural Themes’. In : EthM, xxiii. 1979. pg. 191–204
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13. Smith, R. C. : ‘Deliverance from Chaos for a Song: a Social and Religious Interpretation of the Ritual Performance of Amuesha Music’. diss., Cornell U. 1977.
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14. Smith, R. C. : ‘The Language of Power: Music, Order and Redemption’
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In : LAMR, v/2. 1984. pg. 129–60
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15. Smith, R. J. : The Art of Festival as Exemplified by the Fiesta to the Patroness of Otuzco: la Virgen de la Puerta. Lawrence. KS. 1975.
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16. Stein, S. : ‘El vals criollo y los valores de la clase trabajadora en la Lima de comienzos del siglo XX’ In :  Socialismo y participación, xvii. 1982. pg. 43–50
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17. Stevenson, Robert Murrell : Music in Aztec & Inca Territory. Berkeley. 1968.
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18. Turino, T. : ‘The Urban-Mestizo Charango Tradition in Southern Peru: a Statement of Shifting Identity’ In : EthM, xxviii/2. 1984. pg. 253–69
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19. Turino, T. R. : ‘The Music of Andean Migrants in Lima, Peru: Demographics, Social Power, and Style’. In : LAMR, ix/2. 1988. pg. 127–50
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20. Turino, T. R. : ‘Somos el Perú: Cumbia Andina and the Children of the Andean Migrants in Lima’ In : Studies in Latin American Popular Culture, ix. 1990. pg. 15–37
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21. Turino, T. R. : ‘The State and Andean Musical Production in Peru’.
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In : Nation-State and Indian in Latin America, ed. J. Sherzer and G. Urban (Austin, 1991) pg. 259–85
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22. Turino, Thomas : Moving away from silence: music of the Peruvian Altiplano and the experience of urban migration. Chicago. University of Chicago Press. 1993.
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23. Vásquez, R. E. : La práctica musical de la población negra en Perú. Havana. 1982.
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24. Verger, P. : Fiestas y danzas en el Cuzco y en los Andes. Buenos Aires. 1945.
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*Időszaki kiadványok
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Lucas, T. D. : ‘Songs of the Shipibo of the Upper Amazon’.
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In : Yearbook for Inter-American Musical Research, vii. 1971. pg. 59–67
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[[Kategória:Latin-Amerika]]
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A lap 2012. február 22., 17:22-kori változata

, I aoglpoise, but, in my opinion, you are mistaken. Let's discuss it. This phrase is simply matchless  , it is pleasant to me))) You will change nothing. In it something is. I will know, many thanks for an explanation.
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